{"version":"1.0","provider_name":"Innsbruck International 2020","provider_url":"https:\/\/2020.innsbruckinternational.com\/de","author_name":"Nicole Alber","author_url":"https:\/\/2020.innsbruckinternational.com\/de\/author\/nicole\/","title":"Akemi Takeya - Innsbruck International 2020","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jjwRWLQeNr\"><a href=\"https:\/\/2020.innsbruckinternational.com\/de\/event\/akemi-takeya\/\">Akemi Takeya<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2020.innsbruckinternational.com\/de\/event\/akemi-takeya\/embed\/#?secret=jjwRWLQeNr\" width=\"600\" height=\"338\" title=\"&#8222;Akemi Takeya&#8220; &#8211; Innsbruck International 2020\" data-secret=\"jjwRWLQeNr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/2020.innsbruckinternational.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/2020.innsbruckinternational.com\/wp-content\/uploads\/sites\/3\/2022\/06\/Takeya-Lemonism-065.jpg","thumbnail_width":1024,"thumbnail_height":767,"description":"Akemi Takeya initiiert einen Wettstreit zwischen Aktionismus und \u201eZitronismus\u201c, indem sie Strategien des Aktionismus adaptiert und paraphrasiert. In Takeyas k\u00fcnstlerischem Kosmos nimmt ihr \u201eZitronismus\u201c den K\u00f6rper als materielles \u201eIch\u201c in den Blick \u2013 in 72 Positionen. Es ist ein Ringen um neue Perspektiven, den K\u00f6rper darzustellen, bei dem es um nichts weniger als eine andere [&hellip;]"}